How Graphic Design In Comics Has Influenced Modern Culture

The traditional comic industry was characterized by young and enthusiastic readers, largely unexposed to other means of electronic communication like the television or the internet. However, the advent of graphic design has revolutionized the field inside out, so that one feels the comic characters explode out of the glossy pages.

The era of visual communication and graphic design

The old school method of drawing comic on paper for publication flourished in what is the called the beginning of pop-art where favourite comic characters like Spiderman, Archie and Dennis, to mention a few dominated comics in the form of Traditional Drawings. (TD).

  • The advent of graphic designing technique gave a whole new dimension where the traditional comic drawings were almost replaced with digital drawings.
  • Tools like image editor and equipment like digitizer tablets and Intuos pens have been instrumental in creating hand-drawing like images, so that digital drawings can actually replicate the traditional.
  • Many manga cartoonists begin in pencil and then fine tune them with graphic aided support like Cintiq or a Nostromo keypad.

Traditional vs digital comics

Both the platforms possess their own pros and cons. However, the digital revolution has engulfed comic-making in a positive way, overruling minor deficiencies.

  • The touch of originality and genuineness wielded by hand-drawn comics are their major plus points. Nevertheless, animation graphics have gone a long way into simulating traditional drawings.
  • Digitally developed comics can be sourced to different printing devices at the same time, rendering mass production possible at nominal cost.
  • The digital colour palettes, styles, shades, themes and fonts for text are awesome, providing versatility to the traditional art.

Graphic Designing Strategy: A boon for the “digital manga artists”

Graphic designing strategy is an easier-life maker for upcoming manage artists. The impact on culture is that digital designing has given rebirth to the complex Manga Art, (“Mangaka” stands for an artist in Japanese language).

  • Japanese comics imbibe discipline and rigor in children and encourage them build resilience. Graphic designing knowledge will definitely be an add-on to complement the intricate drawings pencilled on paper, to take the culture to the next generation.
  • Though die-hard traditional manga artists are still hesitant to switch to digital media, a sizeable chunk of them use Photoshop and Illustrator.
  • A tablet or a stylus will add more power in reproducing the digital drawings on analog media using the latest animation software and multimedia solutions.

Economies affected by the digitization of the comic industry

Animation graphics have resulted in mass production of comics and in that sense, has been quite pathbreaking to this sector. Due to large scale reduction of time taken to produce images, coupled with ease of transfer and replication.

  • Compared to analogue comics, digital printed comics can frequent the industry in large volumes, which has resulted in affordable comics for everyone irrespective of social status.
  • Furthermore, in the age of distractions and diversions created by unscrupulous usage of internet, digital printed cartoons are a healthy diversion, where reading habit can be cultivated in a play way method.
  • Digital comics are also available as ebooks so that they can be accessed from anywhere in the world, freely transferred and shared among like-minded community.

Mastering the digital comic design revolution with Pathwwway Igaming

There is always a layer friction between comic artists and graphic designers, with one despising the other. It is high-time that they work in fusion, to create the most engaging comics for the whiz kids of tomorrow.

  • The kind of genres created by sophisticated 3D animation graphics are awe-inspiring taking the traditional comic industry to electronic media.
  • 3D comics shot to limelight with their unique twelve layered lenticular drawing that gives a real-life feel to comic characters.
  • The unique blend of digital and Analog features can be witnessed only in very few domains like comics, where the combination has resulted in a positive trend instead of the former usurping the latter in many cases.
  • The latest trend towards graphic novels are indicative of the fact that for upcoming graphic designers, the comics industry is inviting and affable.

Comic book software trends

Comic book software are now easily available over the internet with easy to use tutorials that adopt an easy do-it-yourself approach, to complement the efforts in making an impressive comic storyboard.

  • These software options from Pathwwway Igaming can allow you to ride the path from manga designing to web comics effortlessly.
  • They come with loads of pre-designed graphics so that the designer can tweak them according to his unique needs.
  • Some examples for digital comic software include Manga Studio, Clip Studio Paint, Comic Creator and Poser Pro 10, that use graphic designing and multimedia tools in the right proportions.
  • Illustration tools that include pencils and brushes can replicate the pen and paper experience for traditional comic lovers, with the ease of digital technology.
  • Using interactive script tools, file formats and illustration tools, graphic designing software like Corel painter, Sketchbook Pro and Pixton lead the race in transforming the comic industry from paper to print and from print to the web.
  • With these innovative features graphic designing has bridged all the gaps left wide open by traditional comic making, enabling even students, homemakers and office-goers pursue their interest in creative and picturesque comic making.

The flip side to graphic design in comics

Every artist is unique. The digitization concept may not be the preferred cup of tea for all cartoonists. They fear a compromise in quality of artwork, the lack of spontaneity and most obviously the lack of physically feeling the output. The variety of fonts, colours and multimedia techniques have stifled the art of free-drawing. It allows people to accept a machine-oriented culture. However, it can be reiterated that these are negligible, when compared to the huge advantages associated with graphic-designed comics.

Digital cartoonists can bring home nature even on the commute, without having to rush to the art-store. Among their paraphernalia are latest tablets and digital pens that can ease their routine, the moment the creative mood sets in.